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Brighter Days: Summer's End

by Samantha Rise

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1.
Wade 05:45
Wade in the water I’m coming down Leave on the bank the fears that fill my pockets Stones to drag me down I need to believe the light in me All of these jesters wearing crowns, Easy to see the ones who’d have you bear their burdens Drag you down I need to believe the light I see For all of their hollow hearted words that darken days I need to believe We’re learning to see the light Why do we follow them down? 3x Songs of our mothers songs for you Songs for our children songs or the present Songs to share our hearts through We sing to believe the light A word to the jesters wearing crowns: We will not abide your trying to tear us down We rise to see the light For all of the hollow hearted words That darken days I need to believe We’re learning to see our light Why do we follow them down? Why do we follow them down? Why do we follow them down? Jesters wearing crowns If there’s a reason, if ever there’s a time To wade into the water to let go and leave behind I wade that know I’m falling awake and now I’m e free We remember, we remember, this precious light to breathe Why do we follow them down?
2.
Lady Good Hair, Gimme a bright blue sky and air to breathe Lady good hair, All I want’s a nation where I’m free to be There’s a war coming on and I know they’ll blame me Lady good hair, I’m just trying to make you see That I’m so tired- tired of all your people getting loud Tired of them tryin to bring me down We’ll all trying to make it through And I’ve felt loss, and hatred too. Ain’t nothing wrong with the way it’s designed If you’re breathing while brown, let the punishment fit the crime Lady Good Hair – you’re the kind that’s easy on the eyes; Lady Good Hair- I don’t see you as, well, what you’re tone implies And they way you speak, so articulate, Not like those angry girls who feed hate Don’t they know their outta line- Thinking their lives are more important than mine Lady Good Hair- I know you understand me Cause I’m so tired- Tired of all those people making scenes Acting like the world treat them differently, forcing me to be PC Don’t they know not to laugh so loud- or raise their voices in a nervous crowd Protest has it’s time and place, but now they’re taking to much space If you don’t want trouble don’t make none, don’t say we’re deaf blind and dumb Ain’t nothing wrong with the way it’s designed If you’re breathing while brown, let the punishment fit the crime If you’re standing, or you’re frowning Hand up, or hands downing If you’re playing in a parking lot If you’re honest at a traffic stop If you’re angry cause you know your rights If you’re twice as good to protect you life If you’re hustling just to get by If you’re daughter ought not watch you die you’re still headed for the pipeline Or the mugshot blast on dateline If you’re a black life or brown life, let the punishment fit the crime. Lady Good hair.
3.
There’s a Spider in the Saint And her web is a whisper, and you’ll only hear her in a certain light There’s your shadow in the paint, baby And it’s years since I’ve seen you today and I mean to, but it’s alright Am I alone in what I want and wish? Running out of boys to kiss and trees to climb Running out of things to hide behind? Am I afraid, or is it laziness? Running out of things to blame and doodle on? Running out of going, gone? There’s a hollow in my heart And no matter how I fill it, every grain seems to spill into the pit of me But there’s got to be a way Cause I watched you grow up big and strong Watched you, at least, to carry on Do you remember all the stars we saw? Running with the water just to watch it fall Running form a drunken hand to jaw Can you keep holding me as I appeared Holding me as one you love so true and dear? Holding me those thousand years There’s my daughter in your name; and I know that the day she’s born she’ll draw from your fingertips her frame and form. So I’ll let that spider be In the hopes that she’ll see her too, and tell me so That I remember you.
4.
She- she knew the road Took his hand, took his heart and then she let go. We- we knew the signs, took a breath, took a step in this life Can’t afford this space between the two And I do, need you It’s more than I can take, to turn to Let the great world spin I’m still in love with you Let the great world spin I’m still in love with you, with you I knew the way Knew your smile, knew the words you might say You- you knew my mind Knew the fears, knew to stay my running mind Can’t afford this space between the two And I do, need you It’s more than I can take, to turn to Let the great world spin I’m still in love with you Let the great world spin I’m still in love with you Can’t afford this space between the two and I do, need you It’s more than I can take, to turn to Let the great world spin I’m still in love with you (repeat to cue) She, she knew the road, Took his hand, took his heart and then she let go

about

the first installment of our record, Brighter Days and a reflection on the longest days and the warmest nights.

credits

released September 22, 2018

Samantha Rise: music & lyrics, vocals, ukelele
Ryan Ptasnik: drums 7 percussion
John Stenger: Piano, Organ, Rhodes, Keyboards
Matt Davis: Acoustic Guitar, Electric Guitar, Nashville Guitar
Ken Pendergast, Upright and Electric Bass
Andy Keenan: Pedal Steel, Dobro
Josh Lawrence: Trumpet
Brent White: Trombone
Mark Allen: Baritone Saxophone
Chris Kasper: Background Vocals
Ian Gray: Trombone
Greg Rosen: Trumpet
Jason O'Mara: Saxohpone


Recorded, Mixed & Mastered at MorningStar Studios.
Produced by Ken Pendergast

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Some rights reserved. Please refer to individual track pages for license info.

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Samantha Rise Philadelphia, Pennsylvania

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